HOME Live Performance

at l'Abbaye de Beaulieu in Ginals, France

For the 2022 World premiere screening of HOME at l'Abbaye de Beaulieu in Ginals, France, a live performance was presented adjacent to the screening. A series of performance vignettes nestled within the interior of l’Abbaye, the performance brings the experience of nature inside, magnifying moments experienced in brief within the film itself. Each vignette exists as a living installation – bringing to life the essence, images, objects and human beings within the film, HOME.

Creators

Sue Schroeder

Artist, Dance Maker, Arts Activist, Mentor, Facilitator

In over 40 years of work in the arts, Sue Schroeder has created more than 110 original dance works for theaters, museums, green spaces, architectural works, and water environments. Her work has appeared throughout the United States, as well as Mexico, Israel, France, Germany, Poland, Georgia, Slovenia, Czech Republic, Iceland, United Kingdom, Sweden, Canada, Guatemala, and Hungary. Schroeder’s multidisciplinary vision has led to collaborations with major voices in Dance – Amanda K. Miller, Niv Sheinfeld & Oren Laor,

Ellen Bromberg, Beppie Blankert, Dieter Baumann & Jutta Hell, Alicia Sanchez, Joanna Haigood, Isabelle Salle & Adolfo Vargas, Susan M. Prins, and Polly Motley – in Music – Christian Meyer, Antoine Plante, Sonja Zarek, Todd Hammes, Yoko Ono, Joanna Duda, Michael Keck, Rich O’Donnell, Stuart Gerber & Jan Baker, and Klimchak – in Spoken Word – Keith Antar Mason & The Hittite Empire, Sarah Turquety, LeRon McAdoo, Marcus Montogmery & the Writeous Poets - and Visual Arts and Design – Adam Larsen, Nancy Chikarishi, Maya Ciarrocchi, Gail Siptak, Charlie Sartwelle, Anne Skupin, Lisa Shoyer, Maya Geffman, Walter “Chip” Morris and Lucía Hernández López.

Schroeder is known for her site-specific, museum and immersive creations for The Menil Collection, Crystal Bridges Museum of American Art, High Museum of Art, Atlanta, University of Central Arkansas, Baum Gallery, Contemporary Arts Museum Houston, Lawndale Art Annex – University of Houston, Diverseworks ArtSpace, Lauren Rodgers Museum of Art, Dallas Museum of Art, Martin Gropius Bau Museum, Berlin, Arkansas Arts Center, Little Rock, Varmlands Museum, Karlstad (Sweden). Schroeder’s long-standing relationship with the Museum of Fine Arts, Houston has led to 12 commissions to exhibitions featuring the work of Sol LeWitt, Diego Rivera, Carlos Cruz-Diez, John Alexander, Pablo Picasso, MoMA’s Heroic Century, the Diane and Bruce Halle Collection of Latin American Art, Jules Olitski, Joseph Havel, Isamu Noguchi, and Dan Flavin. Schroeder has also received 20 site-specific commissions from the Bayou City Arts Festival.

Recent works include:

The Poland Project, the convening of a group of 21 artists (performance, dance, theater, visual arts, writers, music) for three weeks to ignite healing of land, history, and culture, from loss and silence, of unspoken violence and forgotten ghosts. Designed and facilitated by Schroeder, a creative dialogue and process unfolded with each participating artist contributing a creative voice as well as acting as an outlet for the creativity of others in the group.
if… a memoir is a love song written for humanity, engaging questions of human freedom alongside human limitations and its direct link to the current crisis on our planet. Initiated by Schroeder with Christian Meyer (composer/Germany), Sarah Turquety (poet/France), Simon Gentry (cinematographer/Britain), and Adam Larson (video installation artist), if… a memoir is an evening-length immersive performance developed out of artistic questioning and exploration into the inseparable connection between our humanity, the earth, and our future.
Galleries Without Borders/19th Century (wo)Man: A Contemporary Intervention, is an International Contemporary Dance Cooperation in conjunction with the works from the National Gallery Prague’s permanent exhibition: 1796–1918: ART OF THE LONG CENTURY. Under the Artistic Direction of Schroeder, five Czech and six American Dance Makers participated in a five-week virtual creative residency. Inspired by the artistic intention of artists and works exhibited in the permanent exhibition, 1796–1918: ART OF THE LONG CENTURY, participants in this residency worked collectively and collaboratively to research and create a kinesthetic view and/or entry point into the art of the past. Closely aligned with artistic intention and creative process of works within the exhibition the Dance Makers supported yet challenged a certain departure from traditional notions of dance, while facilitating the physical embodiment into the telling of the ‘story of arts’. Phase 2 of the Project took place within the exhibition at the National Gallery Prague in May 2021.

Schroeder has received numerous awards, including the Cultural Multiplicators from Foreign Countries Award from the Goethe Institut-Munich, the Haldeman Award for Merit from the University of Arizona, as well as multiple grants and fellowships from organizations including The Texas Commission on the Arts, The Houston Arts Alliance, the Georgia Council for the Arts, Alternate ROOTS, Houston Endowment Inc., Dance/USA, and the National Endowment for the Arts. She was named a Lexus Leader of the Arts, the recipient of the Center for Creativity & Arts Community Impact Arts Administrator at Emory University and the ArtsATL Luminary Halcyon Award. She has given talks for TedX, Southeastern College Art Conference (Durham, North Carolina), International Arts in Society Conference (Imperial College, London), and the College Art Association Conference (New York City).

Schroeder holds a Bachelor of Arts from the University of Houston and earned her Master of Fine Arts in Theater Arts with a dance and anthropology concentration from the University of Arizona at Tucson. Educated under dance greats Bill Evans, Hanya Holm, Oliver Kostock, Anna Halprin, Isa Bergsohn and John M. Wilson, she holds certifications throughout the U.S. as a Teaching Artist and is a founding member of the Teacher Training Institute (TTI), a training program established to develop best practices to teach dance and kinetic learning in community-based settings.

Adam Larsen

Film, Projection, Documentary, Installation

Adam Larsen has designed video projections for over 200 productions in Theatre, Dance, Symphony and Opera. Projects have ranged from intimate to extravagant and have appeared both on Broadway and in many of the major venues across the country. Adam’s multifaceted work has led to collaborations with leading voices in Symphony and Opera including twenty-five projects with James Darrah, fifteen projects with Michael Tilson Thomas, three with John Adams, as well as projects with Joni Mitchell, Janelle Monae,

Esperanza Spalding, Louis Langrée, Christopher Rountree, Missy Mazzoli, and Ellen Reid.

Adam is excited to be designing projections for the world premiere of Corigliano's Lord of Cries at Santa Fe Opera, as well as directing the Nebraska Flatwater and A Worm's Eye View installations in Omaha - which will eventually live in the mobile projection venue, The PineCone.

Recent work includes the direction and design for Missy Mazzoli's Let Me Freeze Again to Death, presented in the Guggenheim's Works & Process series, the co-direction and editing for Ellen Reid's Lumee's Dream, La Opera, and the direction and editing of three works for the Sun Valley Music Festival.

Other projects include Hal Prince’s LoveMusik on Broadway; Missy Mazzoli’s Breaking The Waves at Opera Philadelphia and the Prototype Festival; Lee Breuer’s The Gospel at Colonus at the Athens, Edinburgh, and Spoleto festivals; Esperanza Spalding's 12 Little Spells national tour; Watermill at the BAM Next Wave Festival; David Lang's Prisoner of the State at the New York Philharmonic; Haruki Murakami’s The Wind-Up Bird Chronicle at the Singapore and Edinburgh festivals; Janáček’s From the House of the Dead at Canadian Opera; Bernstein’s Mass at the Los Angeles Philharmonic and Lincoln Center; Britten’s Peter Grimes, Bernstein’s On the Town, Mussorgsky’s Boris Godunov, as well as all seven seasons of the SoundBox series at San Francisco Symphony; The Pelleas Project at the Cincinnati Symphony; Offenbach’s The Tales of Hoffmann at Hawaii Opera Theatre; Adams’s A Flowering Tree, Handel’s Agrippina at Opera Omaha; Foss’s Phorion with New World Symphony; Mascagni’s Iris at Bard Summerscape; as well as the direction and design of a 360 degree filmic installation set to Adams's The Dharma at Big Sur at Opera Omaha, the direction of Bartók's Bluebeard's Castle at the Houston Symphony, and creation of Rainbow for the Honolulu Theatre for Youth.

In addition, Adam has directed two feature length documentaries about disability. His first, Neurotypical, about autism from the perspective of autistics, premiered on the PBS series P.O.V and his second, Undersung, about caregivers of severely disabled family members, is available on Amazon.