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Re- Constructing the Dancing Body: Screen Dance & the ever fluid definition of Place & Time

enCore: Dance on Film features short movies by dance filmmakers from around the world. These screenings are free and open to the public. Screened annually since 2014, enCore: Dance on Film presents a selection of fascinating independent Screen Dance productions and serves as a platform for films which picture dance exclusively for, and with, the camera. Focusing on the interplay between dance and the techniques of filmmaking, enCore: Dance on Film explores the possibilities and boundaries of Screen Dance as an art form.

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Showcasing annually since 2014, for enCore: Dance on Film 2025, 92 submissions were received from 24 different countries with 15 final selections.​

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This year's enCore: Dance on Film 2026 will be streamed on our windows in Decatur Square and Core Dance’s Vimeo site from May 1st, 2026 to August 31st, 2026.

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enCore: Dance on Film 2025

Filmmaker: Einy Åm Sparks

Film: "On The Other Side"

Presenting the enCore: Dance on Film

Previous Selections

How to apply to enCore : Dance on Film 2026

Applications will be through Film Freeway.

 

10/1/2025 - Submissions open

2/28/2026 - Submissions close

4/1/2026 - Filmmakers notified

5/2/2026 - enCore: Dance on Film Premiere (Live Screening/Opening Reception)

 

Films run from May 2, 2026 through August 31, 2026 as window installation and online as chapters.

Meet the 2026 Adjudicators

John R. Killacky

John R. Killacky served two terms in the Vermont House of Representatives. Previously he was executive director of Flynn Center for the Performing Arts, program officer for arts and culture at San Francisco Foundation, executive director of Yerba Buena Center for the Arts, and curator of performing arts for Walker Art Center. Other past positions include program officer at Pew Charitable Trusts, general manager of PepsiCo SUMMERFARE, and managing director of the Trisha Brown and Laura Dean dance companies. He received the First Bank Award Sally Ordway Irvine Award in Artistic Vision, William Dawson Award for Programming Excellence from the Association of Performing Arts Presenters, Dance USA's Ernie Award as an unsung hero, Fan Taylor Distinguished Service Award for Exemplary Service to the Field of Professional Presenting, and Vermont Arts Council's Kannenstine Award for Arts Advocacy.  

 

Killacky has served as a panelist, lecturer, and consultant for a broad range of arts and funding organizations. He has written numerous publications on the arts and written and directed several award-winning short films and videos. His videos have been screened in festivals, galleries, museums, hospitals and universities world wide and are in the 

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collections of numerous libraries and universities. His work has been televised locally in

Texas, Minnesota, and Vermont, and nationally on Free Speech TV, PBS, and Cultura24 in Holland.

 

He curated a retrospective photography exhibition, Dona Ann McAdams: Performative Acts, that toured to five venues in Vermont (2019-2021). As an artist, he was in residence at Champlain College Art Gallery, co-curating FluxFest (2023) and at Fabric Workshop and Museum (2024). He co-edited the Lambda Literary Award-winning anthology, Queer Crips: Disabled Gay Men and Their Stories and published a compilation of his writing, because art: commentary, critique, & conversation. 

Photo credit: Cassie Wright

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Kate Weare

Kate Weare is a preeminent American choreographer known for her startling combination of formal choreographic value and visceral interpretation. Weare founded Kate Weare Company in New York City in 2005 as a vehicle for her choreographic research, while creating commissions for companies around the world such as The Jose Limon Dance Company, Scottish Dance Theatre (Dundee),  Union Tanguera (Lyons), The Juilliard School, The Cincinnati Ballet, Buzz Dance Theatre (Perth), Ririe-Woodbury Dance Theater, GroundWorks Dance Theater, and ODC/Dance, among many others. Awards include The Guggenheim Foundation Fellowship, The Princess Grace Choreography Fellowship, Inaugural BAM Fisher Artist-in-Residency & Commission, The Joyce Theater Creative Residency Award (2016, 2014, 2011), The Aninstantia Foundation Fellowship, White Bird’s Barney Choreographic Prize, CalArts Inaugural Evelyn Sharp Summer Residency Award, The MANCC Fellowship Award, The Jacob’s Pillow Residency Award, NC Arts Council Fellowship and The Djerassi Fellowship. Teaching includes: Princeton University, The Juilliard School, NYU/Tisch School of the Arts, Marymount Manhattan, CalArts, Virginia Commonwealth Univ., among many others. Weare earned a BFA from CalArts, dancing in Los Angeles, San Francisco, London, Belgrade and Montreal before settling in New York City in 1998. Based now between New York and Asheville, NC, Weare is exploring dance on film with collaborators Jack Flame Sorokin and Brit Worgan. To date, Weare and Sorokin have produced 4 films, “Landfall,” “Moth,” “RISA,” and “KIA,” garnering 12 awards and 52 premieres in festivals around the world. Weare and Worgan are in production with their first film, “New Home,” supported by The Princess Grace Foundation. 

Nuno Veiga

A multidisciplinary artist and educator with more than two decades of experience in theatre, performance, sound, and video. He holds a degree in Theatre Studies from the University of Évora and has developed his artistic career between Portugal, the United Kingdom, and the United States. His work is marked by a strong cross-disciplinary approach, collaborating with choreographers, directors, filmmakers, and visual artists in projects that blend movement, sound, and visual media. 

 

As a sound artist and performer, he has contributed to numerous dance productions, stage works, films, and installations, working closely with both emerging and established creators. His improvisational practice—particularly in sound—has led him to perform in a variety of settings across Europe and beyond, with recordings released in Portugal, the UK, Italy, and Germany. 

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He has also worked extensively in arts education, teaching in higher education institutions and leading creative projects with artists and students of all ages and backgrounds. His pedagogical approach is rooted in artistic experimentation, inclusivity, and the belief that meaningful cultural exchange happens through shared creative processes.  https://www.nunoveiga.site 

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Nadya Zeitlin

Nadya Zeitlin is a choreographer and founder of Bautanzt Here, a site-specific dance theatre based in Atlanta. Distinctive features of her work are influenced by her training in movement, theatre, design, and art therapy with teachers from both Western Europe and the United States. She was named Atlanta's most prolific creator of outdoor site-specific work in 2024 by ArtsATL. 

Designer and facilitator of Dance Hub ATL (2021, Hambidge Cross-Pollination Lab), and Site-Specific Dance Hub (2023, ELEVATE Atlanta).  

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Under her guidance, the company presented works at 7 Stages Theatre, ELEVATE Atlanta Festival (three times), Art on the Atlanta BeltLine, and in various public places in Atlanta: playgrounds, parks, fields, installations. She was among first recipients of the Arts & Entertainment Atlanta grant.  

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In September 2022, Nadya was a guest artist at Emory Dance Program and commissioned a performance for the Hambidge Art Auction. She has been selected to participate in Synchronicity Theatre's Stripped Bare, Dance Canvas, and Atlanta Contemporary Choreographic Residency, as well as MAD Festival, Excuse The Arts, DanceUSA Conference, and CORE Dance Residency.  

Nadya was a 2024 Artist-in-Residence with Art on the Atlanta BeltLine. 

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